The earliest flash photography used magnesium ribbon or powder, ignited on a tray, to provide a brief flash of bright light, for about 1/10th of a second. The technique was not without its obvious dangers and it also released a lot of smoke, smell and a fall-out of white ash.

Flash pictures had to be taken by mounting the camera on a tripod, opening the shutter, igniting the ribbon or powder, and then reclosing the shutter. The advert (left) was taken from Amateur Photographer magazine for 30th November 1949, showing how the technique, albeit using flash powder (see below), was still in use up to the 1950s.

The Amateur Photographer & Cinematographer magazine for November 27th 1935 contains an interesting article (p508 'Topics of the Week') entitled "Magnesium Ribbon, Age 72 Years" (meaning 1863). The article reads:

"Now that so many photographers can take portraits at night by the aid of artificial light, thanks mainly to improved sensitive materials and electric lighting, a correspondent recalls the fact that one day this week is the seventy-second anniversary of the introduction of magnesium ribbon or wire. In 1863 the manufacture of magnesium was commenced in Manchester, and during the last week of November of that year, at a Manchester scientific society, Professor H.E.Roscoe exhibited the light emitted by burning a piece of magnesium ribbon or wire 1mm in diameter and 10ft long.

Mr.A.Brothers, who was at the meeting, secured a piece of the wire and a few days later reported some experiments he had made with it, chief of which was the copying of an engraving by the light given out by the wire. At that time the price of the wire was half-a-crown (i.e. 2s.6d; 12.5new pence) per foot, and only small quantities were obtainable. 'To-day' (1935) it is from 1s. 9d. to 2s. per ounce. Early in 1864, three photographers working together managed to get a good negative in the Blue John Mine in Derbyshire by the light from magnesium, and in May of the same year it was used to make a portrait of Dr.Faraday at the Royal Institution in London. Since these historical initial efforts, magnesium in the form of wire or powder has been widely used by photographers.

The use of flash powder, based upon magnesium, continued in use to (at least) the mid-1950s, because early flash bulbs (c1930 and onwards) were prohibitively expensive for many amateurs.

Kevin MacDonnell, in Photography magazine for January 1981, describes using flash powder "...an explosive mixture of magnesium powder, potassium chlorate and antimony sulphide, which scared me stiff no matter how often I used it." He continued "Supplied in two bottles, the technique was to first of all pour some of the magnesium powder from its container onto a folded sheet of paper. You then replaced the cork tightly in the bottle and put it well to one side. Next you poured some of the 'igniting compound', consisting of the other two chemicals, out of their bottle onto the magnesium lying on the paper and again replaced the cork tightly. The two powders were then shaken together gently. Now came the exciting part ! You had a flashgun complete with a metal tray with a handle and some form of ignition. The one I used had a hammer like that of a shotgun which, when released, fell on a huge explosive cap, while another worked like an old wheel lock pistol, a spring driven steel wheel revolving against a flint. You cocked the flashgun, poured the contents of the folded paper onto the tray, held the gun above your head, uncapped the lens, uttered a short but devout prayer and pulled the trigger. If all went well a sheet of white flame was produced, varying in height from 6" to a foot (12" = 300mm), depending upon the amount of powder. If you were unlucky, however, one of two things could happen. In damp or humid weather, of if the bottles had not been tightly corked, the powder could 'cake' and then, instead of a flash, you got a genuine explosion like that of a small hand grenade which, if you had been generous with the amount of powder, could blow off your fingers! Alternatively, when you pressed the trigger nothing at all happened and the natural reaction was to lower the gun and look into the tray. The action would disturb the powder and it could go off as you looked at it. Everyone had some horrifying story to tell about flash powder."

Paul Godfrey has sent me an extract about flash powder from an ancient edition of "The ILFORD Manual of Photography", numbered the 310,000th copy (a number which suggests it was published around the mid-1920s). The extract can be read here.

ALSO, an extract from a Kodak Magazine dated November 1926 (being a complimentary copy from Wallace Heaton) that has an article about flash photograph. Paul scanned this article from a magazine owned by Jim Fisk.

Thanks to Brian Rees, I now have experience of using flash powder. Brian donated the 4oz tin of Johnson(s of Hendon) No.2 FlashPowder shown alongside.

The original instructions for using the No.2 FlashPowder can be viewed here. An experiment to see if the powder would still produce a FLASH is described here.

Paul Godfrey describes his experiences with a Johnsons flash powder 'flashlamp' (identical to the Magney Powder Flashgun shown at the top of this page) and some 'do-it-yourself' flashpowder here. Johnson's Flashpowder adverts, scanned by Paul from 1930s AP magazines can be viewed here.

With reference to the picture above, right, the smaller tin contained a white powder and the large tin contained a dark grey/purple powder. Strips of white 'touch-paper' were contained in the small brown envelope.

Despite its claimed non-deliquescent properties, over the 40+years since the mixture was manufactured the grey powder (especially) had caked into a firm mass but could still be crumbled into fine particles.

Johnsons supplied two types of flash powder. The No.1 was called Professional and gave a flash of very high actinic value with a minimum of smoke and dust, a combination claimed to make it more suitable for use in banquets and theatrical parties and for large groups and interiors. It was sold in 1oz, 4oz and 8oz bottles, priced 3s.9d (19p), 9s (45p) and 14s.3d (71p) respectively.

The No.2 was recommended for amateur use, and in all circumstances where the smoke produced would not be judged unacceptable e.g. outdoors using a small charge of Flashpowder to augment daylight or inside factories. This flash powder was supplied in 1oz, 4oz (see above) and 8oz tins, priced 3s (15p), 7s.6d (38p) and 13s.6d (68p) respectively.

Flash Bulbs ~ History

I understand from Brian Wilkinson (PCCGB Member) that the modern form of Flash Bulb was patented in 1925 by Dr Paul Vierkotter in Germany, though flash bulbs using magnesium ribbon date back to around 1900. Amateur Photographer magazine for 10th September 1930 contains a report (page 244) on the 'Sashalite' flashbulb (see below) and adds:

"Judging from the information given, the 'Sashalite' is strongly reminiscent of a lamp invented about 1900 by Mr.Smith of the Platinotype Co. An improved form, specially adapted for studio portraiture, was fully illustrated and described in the issue of "Photography" for March 7th, 1901, page 180.
Inside a globe was an arrangement for carrying twelve strips of magnesium ribbon, each isolated so that it could be burnt without affecting the other strips. Oxygen was passed into the globe, and the ribbon was burnt by making electric contact which caused a fine wire to become white hot so that it ignited a small piece of touch-paper in contact with the ribbon. A single length of ribbon was sufficient for an ordinary portrait.
When all the strips of ribbon had been used it was an easy matter to recharge the globe. Provision was made for taking up, by means of a rubber bag, the products of combustion, and for refilling the globe with oxygen. The whole thing was highly effective for its purpose, but was not comparable with the compact equipment of the modern Press photographer. The "Sashalite" is therefore likely to become very popular for difficult subjects."

The Amateur Photographer magazine for 10th September 1930 (as referenced above) has this to say about the 'Sashalite':
"According to the 'Morning Post', flashpowder is likely to be superseded for photographic purposes. The British rights in a new invention have been acquired by Mr. Alexander Stewart, a professional photographer carrying on business under the name of Sasha- hence the word coined for the lamp - 'Sashalite'.
This lamp is an oxygen-filled bulb in which aluminium foil is burned, ignition being accomplished by a 4-volt battery. No details are given as to whether bulbs will be available for charges of different capacity, but it is clear that no single charge of foil would be suitable for all conditions and circumstances.
It is claimed that the light, although powerful, is soft and diffused, less trying to the eyes than flashpowder, and that there is neither noise nor smoke when the charge is fired. As has been claimed, it will now be possible to take photographs in circumstances where the use of powder is out of the question-for example, in coal mines and operating theatres.
The 'Morning Post' published some exclusive photographs, taken with the 'Sashalite' of the engine-room and other compartments of a submarine. These were not only interesting as unusual subjects, but they indicated a high technical standard. The manufacture of the lamps has already commenced, and professional and commercial photographers particularly will await further information with considerable interest."

Michael Langford in his book "The Story of Photography" agrees with the date of 1925 for the arrival of 'modern' flashbulbs, though Brian Coe and Paul Gates in their excellent book "The Snapshot Photograph - The rise of Popular Photography, 1888-1939" (ISBN 004069 14 1) tells us that the flashbulb was a development of the 1930s (probably referring to a time when flash bulbs became mass produced and entered general usage).

Flash bulbs were relatively expensive for the first two or more decades of their mass availability. It wasn't until the introduction of small capless bulbs in 1955 that their cost became acceptable to most ordinary amateurs. Hence the continued use of flash powder into the 1950s.

In the 'Readers Write' section of Amateur Photographer magazine for 2nd February 1966, a Mr.D.S.Smith admonishes a Mr.M.Russell for complaining that flash costs were still high in 1966 at 9d (4p) per bulb. Mr Smith writes:
"FLASH COSTS: YOU NEVER HAD IT SO GOOD.
Mr.M.Russell of Oxford complains about the cost of flashbulbs at 9d each. I beg to differ from him.
I started as an amateur in 1946, soon became interested in flash photography, and was pleased to obtain some Sashalite bulbs at 2s (10p) each. Remember, this was 20 years ago when a £1 was worth a £1, not 12s 6d (62.5p) or whatever it is now. These bulbs were the size of a l00w household lamp, and could not be used at faster than 1/25 sec as their time to peak was not consistent, the burning time being about 1/25 sec, give or take a few milliseconds!
I then graduated through Philips PF14s at, I believe, 1s.1d each (5.5p), PF25s at 1s.6d or 1s.9d (8p), PF24s at 2s each (10p) for focal plane use on my pre-war Leica purchased for £89.10s (£89 50p) in 1949 and Speed Midgets at 1s.3d (6p).
In 1951 I took the plunge and bought my first electronic flash. It weighed 171b (7.7kg), cost more than £60 and gave no more light than an A.G.1 Today's amateur never had it so good with all the moderate priced equipment available, with specifications never dreamt of at the price in my early days. If Mr. Russell still thinks flashbulbs are expensive, he should stop grousing and get one of the very moderately priced electronics (weight just a few ounces)." London, N.1. D.S.SMITH.

A Kobold advertisement in the February 1959 edition of PhotoGuide Magazine, claimed that in 1958 ~ 10,000,000 flash bulbs were used in Britain and 800,000,000 in the USA.

Various metals were used to provide the 'flash' in flash bulbs. According to "Artificial Light and Photography" by Riek and Verbeek (Philips Technical Library), the light output from various metals, expressed in lumens per milligram, are:
Zirconium = 441; Magnesium = 700; Aluminium = 750; Aluminium with 8% Magnesium = 850. (Ref: AP magazine, Readers Ask, 16th May 1962).

Flash Synchronisation

By the late 1930s manufacturers began to incorporate flash synchronisation into their cameras. Brian Coe & Paul Gates suggest "the first mass produced camera with this facility being the Falcon Press Flash in 1939. Other early flash cameras were the Agfa Shur-Flash and the Kodak Six-20 Flash Brownie box camera, both of 1940." Brian Wilkinson adds the Kine Exakta of 1936 to this list.

Post-WW2, over the next 10 years, it became the 'norm' for cameras to be equipped with flash synchronised shutters and the retro-fitting of such a facility to non-synchronised shutters was also available e.g. Wallace Heaton charged £4 in October 1952 and this cost had fallen to 'only' £2.18s (£2.90p) 'for most shutters' by December 1954. Alternatively, it was possible to fit an attachment to the cable release socket which fired the shutter and the flashgun together.

However, the (subsequently universal) 3mm (1/8") coaxial plug didn't become the UK standard means of attaching a flashgun until perhaps the mid-1950s. Even then, simple box cameras continued to use proprietary plug fittings into the early 1960s. The German camera industry standardised on the 3mm coaxial plug rather earlier, no doubt influenced by the Zeiss organisation with its shares in both Gauthier & Compur shutters. The BJPA for 1953 describes a new range of Gauthier shutters, the 'Vario', 'Pronto', 'Prontor-S' and 'Prontor SV', all fitted with a 3mm coaxial flash synchronisation socket. The Synchro-Compur shutter of 1951 also featured this synchronisation connector.

A very full set of flash lead converters was being advertised by Wallace Heaton even in the early 1960s. Their 1961-62 'Blue Book' lists the following converters to make your flashgun equipped with a 'standard' 3mm coaxial connector, fit the following cameras:
Semflex 9/3d (46p); Exakta 2-pin 5/9d (29p); Praktica 5/9d; Kodak A.S.A bayonet (presumably the American Standard) 3/9d (19p); Argus 5/9d; Old Prontor - 3.8mm 3/9d; Ensign bayonet 3/10d (19p); Leica M3 5/9d.

The A.S.A bayonet was (?) as illustrated left, fitted to a Kodak Dakon shutter on a Six-20 Folding Brownie, made in Gt.Britain between 1948 and 1954.

An attachment could convert a 3mm coaxial socket to receive a flashgun with an A.S.A bayonet plug, 5/9d. The illustration alongside, taken from Wallace Heaton's Blue Book, shows (LHS) the plug on the end of an A.S.A lead and (RHS) a converter to enable a shutter with a 3mm coaxial to use a an A.S.A flashgun.

Flashgun leads were also available to wire into a flashgun circuit and so change its shutter fitting. Leads to convert to:
Rollei 9/6d (47.5p); W.H. Compur type 5/- (25p); Reid 18/- (90p); Kodak A.S.A bayonet 6/- (30p); Agilux 6/6d (32.5p); Ilford Craftsman 5/4d (27p); Alpa 13/- (65p); Duolux 5/3d (26p).

ILFORD Flash Guns

The Ilford booklet advertising "Photographic Materials & Accessories" (around 1955) from which the advert below is taken, illustrates and describes three flashguns capable of attaching to a synchronised shutter, the Envoy 'Minor', the Envoy 'Major' and the Envoy 'Zing'. "The type of camera connection lead required i.e. Compur, B.S.S. (a 2-pin female to fit the Ilford Envoy) or Ilford (2-pin male, to fit the Ilford Advocate and Craftsman), should be stated when ordering."

The Standard fitting on an Envoy Flash Gun lead was the female Envoy 2-pin (as picture, above).

The BJPA 1955 review (pages 228-229) of the Envoy Major and Envoy Minor flashguns read:
ENVOY MAJOR AND MINOR FLASHGUNS (Photo Developments Ltd., Leonard Road, Birmingham, 19. Marketed by Ilford Ltd., Ilford, London)

These two flashguns are of exactly similar outward appearance, the difference between them being simply that the Major is of the battery-capacitor type and the Minor is a straight-forward battery-powered gun.

The body of the guns is a reasonably compact and rectangular black plastic moulding carrying the 5in. reflector on its front face. The size of the body is 3½ x 2¾ x 1.375in, and in the case of the Minor gun this just comfortably holds the 4½volt flat torch battery. The reflector is removable and is held in place on the front of the battery casing by a bayonet fitting. The guns are designed to accept only flashbulbs with an ASCC cap, and no bulb ejector is fitted.

The camera bracket is a light-alloy strip which has turned over edges as stiffening, and three camera-fixing screw positions are provided, the farthest from the battery casing giving a separation of 3¾in. A 9in. connecting lead is fitted, and this is supplied with either a 3mm co-axial connector or a B.S.S. 2pin socket. In the case of the Minor gun sent for review, the lead is not secured to the battery casing except at the point at which it makes contact by being clamped under a brass strip. In view of the light gauge of the conductor it would seem preferable to have a more secure clamp for the connecting cable, since as it stands a very light pull is liable to pull the connecting lead away from its anchorage.

An open-flash button is provided on the top of the battery casing, and the Minor may be converted into the Major gun by the addition of a capacitor unit which costs 11s. 3d. The price of the Minor gun is 15s. 0d. plus 4s. 11d. purchase tax. and the Major costs £1 1s. 0d. plus 6s. 10d. purchase tax.

The Envoy 'Zing' flashgun advert specifies "A battery is not supplied, and flash leads are extra."

There are also two flashguns for 'Open Flash' photography, where the shutter is opened on B(ulb), the flash is fired and then the shutter is closed. This facilitated flash photography for those with a camera that didn't have a flash synchronised shutter.

Ilford also distributed three electronic flashguns, manufactured by Clive Courtenay & Co. Ltd; of Horsham Road, Dorking, Surry. They are the 'Cub' at £15.15s.6d, batteries extra (£15.78p), the 'Litepak' at £21.6s.4d without batteries (£21.32p) and the 'Courier' Mark II, priced from £30.9s (£30.45p) to £41.19s.9d (£41.99p).

By the second half of the 1950s it seems even British flashgun manufacturers conceded that the German DIN 3mm coaxial PC lead was standard and units with other connectors disappeared.

An Ilford Junior flash gun, box and instruction leaflet (picture by David Muggleton).
It is an 'open' flashgun, meaning it doesn't have an electrical lead enabling it to be plugged into automatic flash synchronisation contacts on a camera shutter. In use, the camera shutter would be opened using the Bulb or Time setting, the flash fired and the shutter closed again. The camera would have been on a tripod or resting on a rigid surface. The subject would have needed to keep still, though in a dimly lit room the film would have been mainly exposed only by the short duration of the flash, so minor movement would have been 'frozen'.

It comprises a black plastic battery case, a white reflector and a diffusing cover (missing) and cost 6s/6d (33p). The battery would have been pressed through a hole in the base. When the terminals on the battery and bulb touched together, the bulb fired. It used bulbs having ASCC bayonet caps and required a GEC BA 6115 Photoflash Cell battery, price 9d (4p). The original instructions, dating from late 1956 (date code M56) can be read as a pdf file here.

By the late 1950s, even low cost cameras were manufactured with facility for automatic flash synchronisation, so that the 'open flash' technique (see above) was no longer required. The Prontor-Compur (PC) DIN flash plug and shutter socket connection had become standard. All the folllowing Ilford flashguns have a PC connector, though the flashgun for the Sportina (see below) also permits synchronisation via the camera's 'hot-shoe', which was the next stage of simplifying synchronsation by building the electrical contacts directly into the accessory shoe (by 1963)- thus avoiding the need for a connecting lead. The Ilfoflash, principally designed for the Ilfomatic camera range, only has the 'hot shoe' contact.

Ilford brought out two flashguns contemporary with their Sportsman & Sporti camera range. The Sportslite instructions suggest March 1959 (coincident with the Style 2 Sportsman) - my thanks to Peter Williams for this date information. Both flashguns are included in Amateur Photographer's 'Lighting & Flash Guide' October 1960, which suggest they were contemporary; the advert (left) is dated 5th October 1960.

Simon Cooper has e-mailed to tell me his Sportilux instruction leaflet has 'A61' as a footnote, indicating it wasn't printed until January 1961. But this might simply be that the original leaflet got reprinted.

Both take 'capless' bulbs, as introduced in 1955 e.g the Philips P.F.1 (8d each =3p) and the blue (for daylight balanced colour slide film) P.F.1B (9d each =4p).

The Ilford Sportilux was perhaps intended to compliment the simpler Sporti camera range. It has a non-folding reflector, but nontheless has a compact shape. With its simpler construction it was of lower cost than the Sportslite, £1.2s.6d =£1.13p including a zip-fastened case. It takes a 22.5v B122 battery. For calculating the exposure, the instructions direct the user to 'the handy exposure guide printed on the flashgun carton'.

To insert the 22.5v B122 battery the Sportilux reflector is twisted slightly anti-clockwise so that it can be removed from the central bulb holder. The battery plus & minus contacts must then be orientated to match + / - marks moulded into the plastic beneath the capacitor. The flash connector plug is a PC (Prontor Compur) which was standard by 1960.

The Sportslite has an unusual folding reflector which extends out of the central 'stem' when the surround to the bulb socket is rotated. The mechanism is constructed on similar principles to a lens iris diaphragm.

In October 1960 it cost £1.18s.10d = £1.94p in a zipped case (excluding the battery). This flashgun runs off a 22.5v B122 battery (see below). It has 'push-button bulb ejection' and is "supplied with 10 inches of cable with co-axial plug." A useful flash exposure guide is moulded into the cream plastic body.

The Sportslite was reviewed in the BJPA for 1960 (pages167-168).
SPORTSLITE FLASHGUN (Ilford Limited, Ilford, Essex)
Incorporating a very original design of fan reflector, this is a most attractive little battery/capacitor unit for capless bulbs. The case is made from cream plastic, and measures only 3½x1¾x7/8in with an integrally moulded 2½in diameter frontal extension to take the reflector. Total weight is 2½oz.

The back of the casing clips in and gives immediate access to the battery (22½volt B122 type) and capacitor (100 mfd)-both units merely being slipped between strong spring terminals permanently marked for polarity. A 9in lead with integral co-axial plug, a moulded plastic accessory foot and a push-button bulb ejector complete the casing equipment. A table showing aperture settings at various distances for PF1 and PF5 bulbs used with Ilford FP3, HP3 and Colour F films is moulded on the back of the lid.

Coming to the reflector, this is best described by comparing it with the iris diaphragm of a lens, with the action from the centre instead of from the perimeter. It is made up from eight crescent-shaped stainless steel leaves and an inner disc bearing two projections. A few degrees clockwise turn of the disc by means of the projections opens the reflector up to a 3¾in diameter cup of about ¾in depth; the reverse action closes it. It would be difficult to imagine a neater or quicker action than this, and in its closed position the reflector is well protected by the plastic disc already mentioned.
Price of the Sportslite flashgun (in 1959), complete with plastic zip pouch, is £1 3s 3d plus 6s 6d purchase tax (£1.64p).

The reflector hinges upwards for use. There is a moulded accesory shoe for fitting the flashgun to a camera and a standard 3mm DIN coaxial flash synchronisation lead.

The second picture shows the Ilfolite with the lower front cover removed, showing the smaller (than the B122) B154 15volt battery and the capacitor circuit which had become a standard feature of most all flashguns by this date. It ensured more certain firing of the flashbulb.

The Ilfolux was a compact capacitor circuit flashgun and included a built-in test lamp. It had a rotary exposure calculator on the rear, calibrated in ASA and DIN film speeds.

The 'iris' type reflector, which opens out by a small twist of the central disc surrounding the bulb fitting, is reminiscent of the Sportslite. It opens to 3.75" (95mm) diameter. When closed, the reflector is 2.6" (66mm) diameter.

The overall size of the folded unit is 3.5"x2.6"x1.3", fitting into a plastic 'zip up' case. It was priced at £1.17s.6d. (£1.88). My thanks to Peter Williams for information on the Ilfolux.

The Ilfolux was no longer available by Nov.1967.

The battery is a 15Volt Ever Ready type B154 (see below). The capacitor is rated at 150µF.

At the top of the enclosure, above the flashbulb socket, is a test lamp, being an ordinary torch type screw fitting bulb rated at 3.8Volt, 0.07Amp. A small white sprung press button, to the right of the bulb in the picture, closes the test circuit. A 2,000ohm resistor limits the current flow through the flash bulb during charging of the capacitor but enables the test bulb to glow visibly through the small green plastic 'dome' on top of the enclosure. When the camera shutter is fired, the full 15Volt potential is available via the capacitor to fire the flash bulb.

Right is shown the flash exposure calculator on the rear of the Ilfolux. By setting the arrow to point to the film speed e.g. 100ASA, the correct aperture can be read off for a range of distances e.g f8 at 3m. The same Guide No. (approx. 24 in metres with 100ASA film) is applied to AG1, PF1 and PFB bulbs.

When Ilford introduced the Sportina Rapid camera range in 1965 they introduced a complimentary styled flashgun especially for this camera.

By the time of the October 1969 AP 'Lighting & Flash Guide', none of the above flashguns are listed. Ilford are only promoting the miniature Ilfoflash to compliment their Ilfomatic cameras, or those Ilfomatics without in-built flash facility, namely the Ilfomatic Compact and Universal 50. It was made in Macau (a Portugese colony at the time of the Ilfoflash manufacture, west of Hong Kong, but returned to Chinese rule in Dec 1999).

The Ilfoflash is barely 60mm tall, including its attachment 'shoe' which has a centre electrical contact (hot shoe). The Ilfoflash width is some 40mm and its depth some 25mm. It takes AG type miniature flashbulbs.

The battery is a 15v Ever Ready B154 or similar and fires bulbs via a capacitor circuit. The battery is accessible by prising off the front reflector.

It cost 17s.9d (89p) in 1969 (or 13s.9d=69p in Nov.1967). The box in the photographs (left) is marked 16s.4d (81.5p).

On the rear of the gun is a simple flash exposure calculator for AG1B bulbs. The black disc above the calculator table is the bulb eject button.

Johnsons of Hendon claimed (1965) that the world's first camera with a built-in electronic flashgun was Voigtländer's Vitrona. I believe the camera first appeared in 1964. Similar to the contemporary Vito C, the addition of the electronic flashgun more than doubled the Vito C's price of £20.18s (£20.90p) with f2.8 Lanthar lens.

The electronic flash tube and reflector were housed in the top of the camera and the 'flash ready' light was visible in the viewfinder as well as on top of the camera. The 'quickly detachable' pistol grip housed the batteries and capacitor. The Guide Number was 60 with 50ASA colour film. The user had only to set the camera-subject distance and the correct aperture was set automatically. The lens was a Lanthar f2.8 50mm in a Prontor 250 shutter.

Price in 1965, including batteries, was £57.5s.1d (£57.25p), ever ready case another £5.5s.3d (£5.26p).